Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American writer known for his work in science fiction. He produced 44 published novels and approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime.His fiction explored varied philosophical and social themes, and featured recurrent elements such as alternate realities, simulacra, large corporations, drug abuse, authoritarian governments, and altered states of consciousness. His work was concerned with questions surrounding the nature of reality, perception, human nature, and identity.
A variety of popular Hollywood films based on Dick’s works have been produced, although not always under the same title as the original work, including Blade Runner (1982), Total Recall (adapted twice: in 1990 and in 2012), Minority Report (2002), A Scanner Darkly (2006), and The Adjustment Bureau (2011). The novel The Man in the High Castle (1962) was made into a multi-season television series by Amazon, starting in 2015.
Space Opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology.
The term has no relation to music, as in a traditional opera, but is instead a play on the terms “soap opera”, a melodramatic television series, and “horse opera”, which was coined during the 1930s to indicate a formulaic Western movie. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, and video games.
The Golden Age of Pulp Magazine Fiction derives from pulp magazines (often referred to as “the pulps”) as they were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called “glossies” or “slicks”. (Wikipedia)
The pulps gave rise to the term pulp fiction. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many writers wrote for pulps, the magazines were proving grounds for those authors like Robert Heinlein, Louis LaMour, “Max Brand”, Ray Bradbury, Philip K. Dick, and many others. The best writers moved onto longer fiction required by paperback publishers. Many of these authors have never been out of print, even long after their passing.
– Tony and the Beetles
– The Eyes Have It
– Beyond the Door
– The Crystal Crypt
– The Defenders
– Mr. Spaceship
– Piper in the Woods
– Second Variety
– The Variable Man
– Beyond Lies the Wub
– The Gun
– The Skull
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