Henry Kuttner (April 7, 1915 – February 3, 1958) was an American author of science fiction, fantasy and horror.
Kuttner was known for his literary prose and worked in close collaboration with his wife, C. L. Moore. They met through their association with the “Lovecraft Circle”, a group of writers and fans who corresponded with H. P. Lovecraft. Their work together spanned the 1940s and 1950s and most of the work was credited to pseudonyms, mainly Lewis Padgett and Lawrence O’Donnell.
L. Sprague de Camp, who knew Kuttner and Moore well, has stated that their collaboration was so seamless that, after a story was completed, it was often impossible for either Kuttner or Moore to recall who had written what. According to de Camp, it was typical for either partner to break off from a story in mid-paragraph or even mid-sentence, with the latest page of the manuscript still in the typewriter. The other spouse would routinely continue the story where the first had left off. They alternated in this manner as many times as necessary until the story was finished.
Space Opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology.
The term has no relation to music, as in a traditional opera, but is instead a play on the terms “soap opera”, a melodramatic television series, and “horse opera”, which was coined during the 1930s to indicate a formulaic Western movie. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, and video games.
The Golden Age of Pulp Magazine Fiction derives from pulp magazines (often referred to as “the pulps”) as they were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called “glossies” or “slicks”. (Wikipedia)
The pulps gave rise to the term pulp fiction. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many writers wrote for pulps, the magazines were proving grounds for those authors like Robert Heinlein, Louis LaMour, “Max Brand”, Ray Bradbury, Philip K. Dick, and many others. The best writers moved onto longer fiction required by paperback publishers. Many of these authors have never been out of print, even long after their passing.
The Secret of Kralitz
The Eyes of Thar
Where the World is Quiet
War-Gods of the Void
What Hath Me?
The Ego Machine
Crypt-City of the Deathless One
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