Lester del Rey (June 2, 1915 – May 10, 1993) was an American science fiction author and editor. He was the author of many books in the juvenile Winston Science Fiction series, and the editor at Del Rey Books, the fantasy and science fiction imprint of Ballantine Books, along with his fourth wife Judy-Lynn del Rey.
Del Rey first started publishing stories in pulp magazines in the late 1930s, at the dawn of the so-called Golden Age of Science Fiction. He was associated with the most prestigious science fiction magazine of the era, Astounding Science Fiction, from the time its editor John W. Campbell published his first short story in the April 1938 issue: “The Faithful”, already under the name Lester del Rey.
He published novels, as well as short fiction, both under his primary pseudonym Lester del Rey as well as a number of other pen names, at a fast pace through the 1950s and the early sixties. His novel writing slowed down toward the end of the sixties, with his last novel, Weeping May Tarry (written with Raymond F. Jones) appearing from Pinnacle Books in 1978.
Space Opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology.
The term has no relation to music, as in a traditional opera, but is instead a play on the terms “soap opera”, a melodramatic television series, and “horse opera”, which was coined during the 1930s to indicate a formulaic Western movie. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, and video games.
The Golden Age of Pulp Magazine Fiction derives from pulp magazines (often referred to as “the pulps”) as they were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called “glossies” or “slicks”. (Wikipedia)
The pulps gave rise to the term pulp fiction. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many writers wrote for pulps, the magazines were proving grounds for those authors like Robert Heinlein, Louis LaMour, “Max Brand”, Ray Bradbury, Philip K. Dick, and many others. The best writers moved onto longer fiction required by paperback publishers. Many of these authors have never been out of print, even long after their passing.
The Course of Logic
No Strings Attached
The Dwindling Years
Let ‘Em Breathe Space!
The Sky Is Falling
Police Your Planet
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